I love 3-D. I have been a big fan of 3-D for a long, long time.
I love 3-D. I have been a big fan of 3-D for a long, long time. I took my 1988 wedding pictures in 3-D!
In the words of John Lasseter, we hear the joy of one who has always seen the world not as flat and fleeting, but as rich with depth and wonder. He speaks of his love for 3-D, confessing that he has been a fan for a long, long time, so much so that even his 1988 wedding pictures were captured in this form. His words reveal a truth about vision: that to see life in three dimensions is to see it more fully, to recognize that memory is not merely surface, but layered, immersive, and alive.
The ancients, too, yearned for such depth in their art. The Greeks, in their sculptures, sought not flatness but form, chiseling marble until it seemed to breathe. The Romans painted frescoes that gave the illusion of distant landscapes, turning walls into portals of space. In the same spirit, Lasseter’s delight in 3-D is part of this eternal quest—to make what is remembered or imagined feel as real as the present moment. To capture a wedding in such a way is to honor it as something eternal, too important to be confined to mere surface.
His words also remind us of the sacred role of technology in deepening human experience. Just as the printing press once spread poetry and wisdom, or the camera first froze time in an image, so too does 3-D photography allow memory to be preserved not as flat relic, but as living presence. In choosing this method for his wedding pictures, Lasseter revealed not only his passion for innovation but his instinct to honor love with the very best vision his age could offer.
History offers us reflection in the work of Filippo Brunelleschi, who in the 15th century discovered the laws of perspective, forever changing the way art represented space. His revelations allowed paintings to hold depth, to make viewers feel as though they stood within the image itself. Just as Brunelleschi transformed the art of vision, so too has Lasseter, through 3-D, sought to transform how we remember, how we feel, and how we relive the moments that matter most.
Therefore, let this wisdom endure: to embrace depth in art is to embrace depth in life. A wedding is not a flat event—it is joy, family, memory, and future bound together. By capturing it in 3-D, Lasseter teaches us to seek fullness, to see beyond the surface, and to remember that love itself is never one-dimensional. For just as vision expands through perspective, so too does the heart, when it learns to look at life in all its layers, colors, and depths.
MANguyen Minh Anh
John Lasseter’s mention of his 1988 wedding photos taken in 3-D speaks to his early passion for the medium. It’s interesting to think about how this love for 3-D might have influenced his later career. It also raises a fun question: do you think 3-D photos back then were as groundbreaking as they feel now, or did people view them as just a novelty? How do you think technology’s role in personal milestones has evolved?
MCBui Minh Chau
I love how John Lasseter took his wedding pictures in 3-D in 1988. It shows how deeply he has embraced this technology from an early stage. It makes me think, did his enthusiasm for 3-D influence his later work with Pixar and the animation industry as a whole? Do you think his early adoption of 3-D helped shape his innovative approach to filmmaking and storytelling, especially in the realm of animated films?
TLTrinh Lyusagi
John Lasseter’s passion for 3-D is evident, even in the personal choices he made like taking his wedding pictures in 3-D. It’s impressive how technology can intersect with personal milestones in such creative ways. What do you think his fascination with 3-D reveals about him as both an artist and a person? It’s not just about the visuals — it’s about the layers of depth and meaning that technology can bring to experiences.
STStudio Tao
John Lasseter’s statement about his 1988 wedding pictures in 3-D is a fun reminder of how far technology has come. It’s impressive that he was ahead of the curve, integrating something as cutting-edge as 3-D into such an intimate event. I wonder, how did people react to 3-D photos back then, especially since it wasn’t as common as it is today? Do you think his interest in 3-D played a significant role in his creative vision?
Llinh
It’s so cool that John Lasseter took his wedding pictures in 3-D, showing just how early on he was invested in the technology. I imagine those photos must look incredible, especially given how much 3-D technology has evolved. Do you think his early interest in 3-D gave him an edge when it came to his work in animation? It’s interesting to see how personal interests can align with professional innovation.