In the late '80s, as a child, I used to shoot short films on my

The words of Sajid Khan resound like a memory carved upon the stone of time: “In the late ’80s, as a child, I used to shoot short films on my friend’s wedding camera.” In these humble beginnings, we behold the spark of destiny. For from the simplest of instruments—a camera meant to capture vows and garlands—emerged the vision of a storyteller, one who would transform play into art. The quote reminds us that greatness often begins not with gold or grandeur, but with borrowed tools and the boldness of a dreamer’s heart.

This tale speaks to the power of childhood imagination, which takes the ordinary and reveals within it infinite possibility. A wedding camera, meant to preserve fleeting joy, became instead a forge where vision and craft were tempered. So it has ever been: the tools of one age, designed for one purpose, are seized by daring hands and reshaped for another. Just as the stone chisel that once carved temples could later craft the likeness of heroes, so too did a wedding relic become the key to cinematic creation.

Consider the story of Leonardo da Vinci, who in his youth drew machines of flight with nothing but scraps of parchment and ink. The tools were simple, the materials humble, yet within them breathed the grandeur of the skies. Did he fly in his lifetime? No. But from such sketches would the wings of men unfold centuries later. The lesson is eternal: from small beginnings, guided by curiosity and passion, spring rivers that carve the face of history.

The late ’80s, spoken of by Sajid Khan, were not merely years but an age of transition. The world trembled between the past and the dawning future of technology. In that time, a child’s hand upon a wedding camera foretold a world in which stories would flow endlessly through film, shaping how humanity dreams, remembers, and aspires. To record is not only to preserve but to proclaim, “This moment matters.”

Let the generations remember this: never despise the lowly tool, nor the playful beginnings of a child’s endeavor. For in such play lies the seed of mastery. Just as Sajid Khan’s early films whispered the first notes of his calling, so too may every youth find greatness hidden within the simplest gifts. The camera, the pen, the brush, the plow—whatever lies within reach may become the very chariot that carries one toward immortality.