It's now taken for granted that women are in bands and you can

It's now taken for granted that women are in bands and you can

22/09/2025
22/09/2025

It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.

It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can
It's now taken for granted that women are in bands and you can

Hear the testimony of Kathleen Hanna, warrior of song and voice of rebellion, who declared: “It’s now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early ’90s, there was a lot of violence at Bikini Kill shows that people don’t realize happened.” In these words lies both triumph and sorrow: triumph, that what was once forbidden has now become common, and sorrow, that this victory was born through the fires of hostility.

For in the days of the early ’90s, when Hanna and her sisters of Bikini Kill took the stage, they did more than perform—they defied. They raised their voices against a world that wished to keep women silent, to banish them from the holy ground of music, where only men had long been enthroned. They sang of feminism, of rage, of liberation, and in their cries they gave shape to the Riot Grrrl movement. Yet their courage was met not with open arms but with fists, jeers, and violence, as if the very act of a woman claiming the stage was a threat to the order of the world.

Such resistance is not new in the tale of humanity. Recall the story of Rosa Parks, who in 1955 refused to surrender her seat on a segregated bus. Her action was not grand in appearance, but it shook an empire of injustice. She endured insult, scorn, and the weight of danger, yet her defiance became a torch for the civil rights movement. So too with Hanna: her standing upon the stage, guitar in hand, was an act of revolt, a declaration that women’s voices would no longer be drowned.

Now, in the present age, it seems natural that women form bands, sing freely of their truth, and voice feminist fire without fear. But Hanna reminds us that such freedom was not given—it was won. It was carved out by those who endured hatred, who stood their ground when the crowd turned hostile, and who bore the burden of violence so that future daughters might sing without trembling.

Therefore, let this wisdom endure: never take lightly the victories of the present, for they were purchased with the struggles of the past. To witness women on the stage today is to see the fruit of defiance, the harvest of courage. The words of Hanna call us to remember, to honor, and to continue the work, lest the silence of old return once more. For every freedom we now call ordinary was once an act of extraordinary bravery.

Kathleen Hanna
Kathleen Hanna

American - Musician Born: November 12, 1969

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Have 4 Comment It's now taken for granted that women are in bands and you can

TTNguyen Thanh Thuy

Kathleen Hanna’s insight into the violence at Bikini Kill shows really hits home. It’s a harsh reminder of how difficult it was for women to be vocal in certain spaces, especially in the music industry. But now, we see more acceptance of feminist themes in music, so why did it take so long to get here? What’s the real reason behind the resistance to women asserting themselves through music, and how much progress has actually been made?

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PANguyen Thi Phuong Anh

It’s interesting to consider how the landscape for women in music has shifted over the years. What Kathleen Hanna describes in the '90s seems like such a stark contrast to how we view women in bands today. But is it really just a matter of time, or is there a deeper cultural shift that allowed feminist messages in music to be more accepted? How much of that violence at shows was actually about broader societal changes at the time?

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TAThu Anh

Kathleen Hanna’s point about the violence at Bikini Kill shows is really powerful. It’s shocking to think that even expressing feminist ideas was met with aggression. How many women and feminist bands still face this kind of hostility today? While things have certainly changed since the early '90s, I wonder how much of that violence was about the music itself versus the fear of women challenging established norms. How much has the music industry truly changed in terms of accepting feminist expression?

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BNNguyen Hoang Bao Nhi

Kathleen Hanna’s reflection on the early '90s brings to light how much has changed for women in music, especially in terms of being able to express feminist ideas openly. It’s hard to imagine the violence and hostility that bands like Bikini Kill faced just for standing up for women’s rights. How much progress has been made in terms of safety and acceptance for women in the music scene? Is there still resistance, or have things truly shifted for the better?

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