The thing is that love gives us a ringside seat on somebody

The thing is that love gives us a ringside seat on somebody

22/09/2025
25/10/2025

The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.

The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody
The thing is that love gives us a ringside seat on somebody

Host: The evening sky burned in hues of lavender and rose, the kind of soft light that makes everything seem momentarily forgiven. The rain from earlier still glistened on the streets, catching reflections of passing headlights and streetlamps like scattered diamonds. Inside a quiet apartment overlooking the city, the faint crackle of a record filled the air—an old Bill Evans tune, slow and intimate.

The room smelled of coffee, paint, and memory. A half-finished canvas leaned against the wall, a swirl of color and confusion. Jack stood by the window, his hands in his pockets, staring out at the wet city below. Jeeny sat on the couch, her legs curled beneath her, a blanket draped around her shoulders. Between them lingered a silence that felt like a shared ache—soft, familiar, unresolved.

On the coffee table lay an open book of Alain de Botton’s essays. She had read a passage aloud just minutes before:

“Love gives us a ringside seat on somebody else’s flaws… True love is often about trying to teach someone how to be the best version of themselves.”

The words had settled into the room like dust—visible in the light, impossible to ignore.

Jeeny: “You’re quiet.”

Jack: “I’m thinking.”

Jeeny: “Dangerous habit, that.”

Jack: “I’m thinking about how exhausting love sounds when philosophers explain it.”

Jeeny: “It’s not exhausting, Jack. It’s real. Love isn’t a vacation—it’s an education.”

Jack: “Yeah, but who wants to enroll in that course? You fall in love to escape judgment, not to sign up for night school in self-improvement.”

Jeeny: “That’s the problem. You confuse love with relief. Real love isn’t there to make you comfortable—it’s there to make you grow.”

Jack: “Grow? It’s amazing how that word always sounds noble when it’s used as an excuse to criticize someone.”

Host: The rain outside began again, a light drizzle that ticked against the glass like fingers keeping time with their argument. Jack’s face was calm, but his eyes carried that flicker—the one that appeared whenever the conversation touched too close to truth.

Jeeny: “You think criticism means rejection. It doesn’t. It means I care enough to notice.”

Jack: “Notice what? My flaws? My mistakes? That’s not love, Jeeny—that’s management.”

Jeeny: “No. That’s partnership. When you love someone, you see their edges because you’re close enough to cut yourself on them. The point isn’t to dull them—it’s to understand them.”

Jack: “So what, I’m supposed to accept your critiques as proof of affection?”

Jeeny: “No. You’re supposed to trust that when I say something hard, it’s not to hurt you—it’s to help you see yourself the way I do. Whole. Capable. Worth more than the version you settle for.”

Jack: “You always think you know what version of me is best.”

Jeeny: “Because I can see what you won’t.”

Jack: “That’s convenient.”

Host: She looked away then, her eyes darkening, not with anger, but with the slow weight of disappointment. The record hissed, a small imperfection in the sound that somehow made the silence after it feel even deeper.

Jeeny: “You always say love should accept people as they are. But that’s just laziness dressed as virtue.”

Jack: “And you call that honesty?”

Jeeny: “Yes. Brutal, maybe—but still love. Love isn’t blind, Jack. It’s corrective. It’s what makes us face the mirror we’d rather avoid.”

Jack: “You’re quoting de Botton now.”

Jeeny: “Because he’s right. The romantic myth tells us that if someone truly loved us, they’d never criticize us. But that’s childish. That’s wanting to be adored, not known.”

Jack: “And being known is supposed to feel good?”

Jeeny: “No. It’s supposed to feel true.”

Host: The light flickered as the wind shifted, casting moving shadows across the wall, as though the room itself was breathing. Jack’s reflection in the window seemed older than he was—hollow-eyed, haunted by the kind of fatigue that doesn’t come from work, but from pretending not to care.

Jack: “You know, it’s funny. People say they want someone who challenges them. But the moment you do, they start packing their bags.”

Jeeny: “That’s because most people want admiration, not intimacy.”

Jack: “And you think intimacy means turning love into a constant review session?”

Jeeny: “It means being brave enough to tell the truth when silence would be easier. It means saying, ‘I see this flaw, but I’m not leaving because of it.’”

Jack: “That’s not bravery. That’s masochism.”

Jeeny: “No. That’s commitment.”

Jack: “To changing each other?”

Jeeny: “To growing together. That’s the difference.”

Host: Jeeny’s hand reached for her mug, but it had gone cold. She didn’t drink. The rain grew heavier now, streaking the glass, making the world outside look soft and unreal.

Jack: “You ever think love just asks too much? It’s supposed to be simple—two people, one feeling. Not this constant therapy session about flaws and growth.”

Jeeny: “Simple love is easy. But easy love dies fast. The kind that lasts—that’s the kind that keeps teaching you who you are.”

Jack: “You make it sound like love’s a classroom.”

Jeeny: “It is. Except the only grade that matters is whether you show up.”

Jack: “And what if showing up means losing yourself?”

Jeeny: “Then you weren’t showing up as yourself to begin with.”

Host: A moment passed, quiet but electric. The music on the record turned to a slow, low piano line, and Jack’s gaze softened.

Jack: “You ever think maybe love isn’t about fixing anyone, but about witnessing them?”

Jeeny: “Yes. But witnessing doesn’t mean watching someone self-destruct quietly. If I love you, I can’t just sit and clap while you burn.”

Jack: “And what if your idea of helping me is what burns me?”

Jeeny: “Then we talk. We try again. Love doesn’t promise perfection, Jack. It promises persistence.”

Jack: “That’s the most exhausting definition of love I’ve ever heard.”

Jeeny: “It’s the truest one I know.”

Host: The storm outside reached its peak—lightning flashed, briefly painting their faces in stark relief: his marked by stubbornness, hers by tenderness refusing to surrender.

Jack: “Maybe you’re right. Maybe love is about growth. But tell me this—how do you know when your ‘helping’ stops being love and starts being control?”

Jeeny: “When it stops being kind.”

Jack: “And who decides that?”

Jeeny: “The silence between us does. The way it feels after the words land.”

Host: Jack turned, finally facing her. The storm light flickered through the window, the sound of rain softening into rhythm. He studied her face—not searching for flaws this time, but for something gentler, something constant.

Jack: “You know what’s strange? I think I’ve spent years wanting love to admire me, not challenge me. Maybe that’s why it always felt temporary.”

Jeeny: “Because admiration is fragile. It fades when people get too close.”

Jack: “But love…”

Jeeny: “Love stays. Even when it stings.”

Jack: “You make it sound like love’s supposed to hurt.”

Jeeny: “No. It’s supposed to heal you by showing you the wound.”

Host: A single tear slid down her cheek—not from pain, but release. Jack’s hand moved instinctively, brushing it away. The touch lingered, quiet and trembling, like the moment between lightning and thunder.

Jack: “So maybe love isn’t about finding someone perfect.”

Jeeny: “No. It’s about finding someone patient enough to help you try.”

Jack: “And strong enough to let you do the same.”

Jeeny: “That’s the whole dance.”

Host: The storm began to fade, leaving the air clear, the room glowing with lamplight. The record reached its end, the needle clicking softly in its circular rhythm—like a heartbeat reminding them they were still here, still human, still learning.

Jack exhaled, long and slow, his walls finally lowering.

He smiled—small, real, unguarded.

Jack: “So love’s a ringside seat to someone else’s flaws?”

Jeeny: “Yes. But also to their becoming.”

Host: They sat in that quiet, unpolished truth—the kind of truth that doesn’t sparkle but endures.

Outside, the rain stopped. The city lights shimmered, reflected in the wet streets below. And for the first time in a long time, they didn’t need to fix or defend or define anything.

They simply looked at each other, both bruised and luminous,
and understood that true love, as de Botton promised,
wasn’t about avoiding the mirror—
it was about holding it steady,
together.

Alain de Botton
Alain de Botton

English - Writer Born: December 20, 1969

With the author

Tocpics Related
Notable authors
Have 0 Comment The thing is that love gives us a ringside seat on somebody

AAdministratorAdministrator

Welcome, honored guests. Please leave a comment, we will respond soon

Reply.
Information sender
Leave the question
Click here to rate
Information sender